Where Can I Buy Century Cabinets
Option 2: If you are out-of-area, you can use our contact form to submit your kitchen measurements and we will design the kitchen and, upon approval, ship the cabinets directly to you.
where can i buy century cabinets
Cabinets of curiosities (German: Kunstkammer and Kunstkabinett), also known as cabinets of wonder and wonder-rooms (German: Wunderkammer), were collections of notable objects. Although more rudimentary collections had preceded them, the classic cabinets of curiosities emerged in the sixteenth century. The term cabinet originally described a room rather than a piece of furniture. Modern terminology would categorize the objects included as belonging to natural history (sometimes faked), geology, ethnography, archaeology, religious or historical relics, works of art (including cabinet paintings), and antiquities. In addition to the most famous and best documented cabinets of rulers and aristocrats, members of the merchant class and early practitioners of science in Europe formed collections that were precursors to museums.
Cabinets of curiosities served not only as collections to reflect the particular curiosities of their curators but as social devices to establish and uphold rank in society. There are said to be two main types of cabinets. As R. J. W. Evans notes, there could be "the princely cabinet, serving a largely representational function, and dominated by aesthetic concerns and a marked predilection for the exotic," or the less grandiose, "the more modest collection of the humanist scholar or virtuoso, which served more practical and scientific purposes." Evans goes on to explain that "no clear distinction existed between the two categories: all collecting was marked by curiosity, shading into credulity, and by some sort of universal underlying design".
In addition to cabinets of curiosity serving as an establisher of socioeconomic status for its curator, these cabinets served as entertainment, as particularly illustrated by the proceedings of the Royal Society, whose early meetings were often a sort of open floor to any Fellow to exhibit the findings his curiosities led him to. However purely educational or investigative these exhibitions may sound, it is important to note that the Fellows in this period supported the idea of "learned entertainment," or the alignment of learning with entertainment. This was not unusual, as the Royal Society had an earlier history of a love of the marvellous. This love was often exploited by eighteenth-century natural philosophers to secure the attention of their audience during their exhibitions.
The earliest pictorial record of a natural history cabinet is the engraving in Ferrante Imperato's Dell'Historia Naturale (Naples 1599) (illustration). It serves to authenticate its author's credibility as a source of natural history information, in showing his open bookcases at the right, in which many volumes are stored lying down and stacked, in the medieval fashion, or with their spines upward, to protect the pages from dust. Some of the volumes doubtless represent his herbarium. Every surface of the vaulted ceiling is occupied with preserved fishes, stuffed mammals and curious shells, with a stuffed crocodile suspended in the centre. Examples of corals stand on the bookcases. At the left, the room is fitted out like a studiolo with a range of built-in cabinets whose fronts can be unlocked and let down to reveal intricately fitted nests of pigeonholes forming architectural units, filled with small mineral specimens. Above them, stuffed birds stand against panels inlaid with square polished stone samples, doubtless marbles and jaspers or fitted with pigeonhole compartments for specimens. Below them, a range of cupboards contain specimen boxes and covered jars.
Similar collections on a smaller scale were the complex Kunstschränke produced in the early seventeenth century by the Augsburg merchant, diplomat and collector Philipp Hainhofer. These were cabinets in the sense of pieces of furniture, made from all imaginable exotic and expensive materials and filled with contents and ornamental details intended to reflect the entire cosmos on a miniature scale. The best preserved example is the one given by the city of Augsburg to King Gustavus Adolphus of Sweden in 1632, which is kept in the Museum Gustavianum in Uppsala. The curio cabinet, as a modern single piece of furniture, is a version of the grander historical examples.
The juxtaposition of such disparate objects, according to Horst Bredekamp's analysis (Bredekamp 1995), encouraged comparisons, finding analogies and parallels and favoured the cultural change from a world viewed as static to a dynamic view of endlessly transforming natural history and a historical perspective that led in the seventeenth century to the germs of a scientific view of reality.
In seventeenth-century parlance, both French and English, a cabinet came to signify a collection of works of art, which might still also include an assembly of objects of virtù or curiosities, such as a virtuoso would find intellectually stimulating. In 1714, Michael Bernhard Valentini published an early museological work, Museum Museorum, an account of the cabinets known to him with catalogues of their contents.
A late example of the juxtaposition of natural materials with richly worked artifice is provided by the "Green Vaults" formed by Augustus the Strong in Dresden to display his chamber of wonders. The "Enlightenment Gallery" in the British Museum, installed in the former "Kings Library" room in 2003 to celebrate the 250th anniversary of the museum, aims to recreate the abundance and diversity that still characterized museums in the mid-eighteenth century, mixing shells, rock samples and botanical specimens with a great variety of artworks and other man-made objects from all over the world.
In 1908, New York businessmen formed the Hobby Club, a dining club limited to 50 men, in order to showcase their "cabinets of wonder" and their selected collections. These included literary specimens and incunabula; antiquities such as ancient armour; precious stones and geological items of interest. Annual formal dinners would be used to open the various collections up to inspection for the other members of the club.
By the early decades of the eighteenth century, curiosities and wondrous specimens began to lose their influence among European natural philosophers. As Enlightenment thinkers placed growing emphasis on patterns and systems within nature, anomalies and rarities came to be regarded as potentially misleading objects of study. Curiosities, previously interpreted as divine messages and expressions of nature's variety, were increasingly seen as vulgar exceptions to nature's overall uniformity.
The Houston Museum of Natural Science houses a hands-on Cabinet of Curiosities, complete with taxidermied crocodile embedded in the ceiling a la Ferrante Imperato's Dell'Historia Naturale. In Los Angeles, the modern-day Museum of Jurassic Technology anachronistically seeks to recreate the sense of wonder that the old cabinets of curiosity once aroused.
The idea of a cabinet of curiosities has also appeared in recent publications and performances. For example, Cabinet magazine is a quarterly magazine that juxtaposes apparently unrelated cultural artifacts and phenomena to show their interconnectedness in ways that encourage curiosity about the world. The Italian cultural association Wunderkamern uses the theme of historical cabinets of curiosities to explore how "amazement" is manifested within today's artistic discourse. in May 2008, the University of Leeds Fine Art BA programme hosted a show called "Wunder Kammer", the culmination of research and practice from students, which allowed viewers to encounter work from across all disciplines, ranging from intimate installation to thought-provoking video and highly skilled drawing, punctuated by live performances.
Several internet bloggers describe their sites as "wunderkammern" either because they are primarily links to interesting things, or inspire wonder similarly to the original wunderkammern (see External Links, below). Researcher Robert Gehl describes such internet video sites as YouTube as modern-day wunderkammern, although in danger of being refined into capitalist institutions "just as professionalized curators refined Wunderkammers into the modern museum in the 18th century."
For ordering Lazy Susan corners: Select 1 door without boring Select 1 door with "Lazy Susan Boring + Hinge Assembly" under Boring and Hinge Options See the Frequently Asked Questions page for more information For susan/corner cabinet doors, is recommended to square off the edges where the pair of doors will meet. If the doors have a standard beveled outer edge, they may produce a large gap. If you'd like us to square the edge of the doors where they meet, please contact us with instructions to use OE1 outside edge on one side of each door. This adjustment will cost an additional $30 per door.
century kitchen & bath wholesa, a trusted Kemper Cabinetry dealer, is a cabinet store serving the West Chester, PA market. The highly trained professionals at century kitchen & bath wholesa will assist you through the process of choosing kitchen cabinets and designing your room, resulting in a space that you will love.
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